Henry Moore: Sculpting the Twentieth Century

Category: Books,Arts & Photography,History & Criticism

Henry Moore: Sculpting the Twentieth Century Details

Amazon.com Review Even when a famous artist's critical reputation has fallen on bad times, it's rare that the negative side of the legend finds its way into an elegantly designed and copiously illustrated monograph like Henry Moore: Sculpting the 20th Century. Yet those who deride the "civic trophy" aspect of Moore's ubiquitous bronze figures may reconsider their verdict in light of the perceptive arguments presented here by eight art historians. The scrutiny of Moore begins with the question of known and possible sources for the early blocky seated figures of the '20s, inspired by his fascination with African, Oceanic, and pre-Columbian sculptures. After investigating Moore's experiments with surrealism in the '30s, the text discusses the poignant drawings of people huddled in Underground stations during World War II that brought his work to the attention of a wider public. The criticisms of Moore's work began when he shifted from the "truth to materials" embodied in his stone, wood, and cast-concrete figures to working in bronze and marble. Beginning in the early '60s, a younger generation of artists questioned the validity of his metaphors and his team of assistants. Critics singled out his repetitive forms and his failure to create site-specific work. ("I think you should make something that is right anywhere," Moore responded.) Yet the inherent warmth and tactile quality of Moore's often curiously androgynous figures has proved irresistible to many. This book is the catalog for an exhibition organized by the Dallas Museum of Art. --Cathy Curtis Read more From Publishers Weekly Making its case right from the title, Henry Moore: Sculpting the 20th Century argues for the popular English sculptor's continued primacy. Edited by Dallas Museum of Art curator Dorothy Kosinski, and serving as the catalogue for an exhibition currently touring the U.S., the book covers the artist's entire career, from his early primitivism to his 1930s surrealism to his post-war public art. Photos of over 120 of Moore's suggestively abstract plasters, carvings, bronzes and drawings grace the pages of the book, along with scholarly essays from Moore proponents. Copyright 2001 Cahners Business Information, Inc. Read more From Booklist Critical fortunes notwithstanding, Moore is a major figure in twentieth-century sculpture. It is, in fact, his very popularity that has at times caused modernist critics to dismiss his work. A series of enlightening essays assess the mixed reception accorded his sculptures over his 60-year career and discuss how primitive art has influenced Moore, Moore's relationship with surrealism, and even the works that the artist collected. These essays provide a sound entry point into the study of Moore's work, and the outstanding illustrations provide the impetus. The volume begins with a series of photographs taken by Moore of his own work and ends with a photo-essay by Tom Jenkins. In between are reproductions of the monumental sculpture for which Moore is best known, as well as smaller works and drawings both from notebooks and finished portfolios. A detailed chronology that both documents Moore's life and places him within a larger cultural and aesthetic context rounds out the expert coverage. Regina SchroederCopyright © American Library Association. All rights reserved Read more Review "These essays provide a sound entry point into the study of Moore's work, and the outstanding illustrations provide the impetus." -- Regina Schroeder, BooklistExcellent texts complement the photographic essays with stimulating titles. . . Well produced and modestly priced. Highly recommended. -- Choice Read more From the Publisher This catalogue accompanies a major exhibition organized by the Dallas Museum of Art with the generous collaboration of the Henry Moore Foundation. The exhibition opens in Dallas on 25 February 2001 and then travels to the Fine Arts Museums of San Francisco and the National Gallery of Art in Washington, D.C. Published in association with the Dallas Museum of Art Read more About the Author Dorothy Kosinski is the Barbara Thomas Lemmon Curator of European Art, Dallas Museum of Art. She and David Mitchinson, Head of Collections and Exhibitions at the Henry Moore Foundation, are co-curators of the exhibition. Contributors to the catalogue are Dorothy Kosinski, Steven Nash, Alan Wilkinson, Anita Feldman Bennet, Julian Andrews, Elizabeth Brown, David Cohen, and Harriet Senie. Read more